Karlheinz Essl
Calender 1997
Concerts / Performances / Lectures
Chicago | Salzburg Festival | Copenhagen
Amazing Maze (1996)
interactive realtime composition for sampled sound particles and live performer(s)
version for two computers / sound installation
- Thu, 9.1.1997
- Klosterneuburg, SCHÖMER-HAUS (A)
- Vernissage "Abstraktion in Österreich" (Sammlung Essl)
- computer performers: Karlheinz Essl, Jack Hauser
Amazing Maze (1996)
interactive realtime composition for sampled sound particles and live performer(s)
version for solo-cello & computer
- Sun, 12.1.1997, 15:00
- Chicago, Lunar Cabaret (USA)
- cello & computer-control: Fredrick Lonberg-Holm
Realtime Composition (Lecture & Concert)
The underlying concept of some works-in-progress:
- Tue, 14.1.1997
- Vienna, Alte Schmiede (A)
Amazing Maze (1996)
interactive realtime composition for sampled sound particles and live performer(s)
version for percussion & computer
- Tue, 14.1.1997
- Vienna, Alte Schmiede (A)
- percussion: Elisabeth Flunger
- computer performer: Karlheinz Essl
O rosa bella (1981-97)
for chamber ensemble (fl, ob, cl - vl, vla, vlc)
- premiere
- Sat, 15.2.1997, 19:30
- Klosterneuburg, SCHÖMER-HAUS (A)
- ensemble recherche (Freiburg)
Lexikon-Sonate (1992 ff.)
interactive realtime composition for computer-controlled piano
version for computer-controlled piano and an improvising pianist
-
Tue, 25.2.1997
- Cardiff, Wales (UK)
- Welsh College of Music and Drama
- Pianist: Gillian Robson
- Computer performance: Suzanne Griffiths-Rees
Amazing Maze (1996)
interactive realtime composition for sampled sound particles and live performer(s)
version for electric cello & computer
- Fri, 28.2.1997
- Center for Art and Technology (Connecticut College, New London, USA)
- 6th Biennial Symposion on Arts on Technology
- electric cello: Jeffrey S. Krieger
Chicago Concerts
Partikel-Bewegungen (1991 ff.)
version for flute, bass clarinet & saxophone
-
Mon, 3.3.1997
- Chicago, RX Gallery (USA)
- Portrait Concert "Karlheinz Essl"
- Ensemble Noamnesia: Lisa Goethe, Gene Coleman, Jeremy Ruthrauff
Lexikon-Sonate (1992 ff.)
interactive realtime composition for computer-controlled piano
- Mon, 3.3.1997
- Chicago, RX Gallery (USA)
- Portrait Concert "Karlheinz Essl"
- Performers: R. Albert Falesch, Fred Lonberg-Holm
- Computer performance: Karlheinz Essl
BWV 1007a (1986)
for double bass solo
- Mon, 3.3.1997
- Chicago, RX Gallery (USA)
- Portrait Concert "Karlheinz Essl"
- Double bass: Michael Cameron
Amazing Maze (1996)
interactive realtime composition for sampled sound particles and live performer(s)
version for solo-cello & computer
- Mon, 3.3.1997
- Chicago, RX Gallery (USA)
- Portrait Concert "Karlheinz Essl"
- Cello: Fredrick Lonberg-Holm
- Computer performer: Karlheinz Essl
Cross the Border (1994/95)
for soloists (saxophon, double bass, percussion) and ensemble
- Sat, 8.3.1997
- Vienna, Konzerthaus (A)
- Die Lange Nacht der Neuen Klänge - IGNM Austria
- Ensemble Klangforum Wien; Dir: Ernst Kovacic
Rapprochement (1992)
for violin & cello
- Sat, 8.3.1997
- Munich, Gasteig (D)
- Ensemble Köln
- Geoffry Wharton, violin - Roman Guggenberger, cello
Conversations (1983)
for violin, viola & cello
- Fri, 14.3.1997
- Vienna, Stadtinitiative (A)
- Orpheus Trio Wien
Entsagung (1991-93)
for flute, bass clarinet, prepared piano, percussion and interactive
4-channel sound environment
- Tue, 18.3.1997
- Paris-Nanterre, Maison de la Musique (F)
- Ensemble Court-Circuit; Dir: Pierre-André Valade
- technique: Thierry Coduys (Attentat)
- sound projection: Karlheinz Essl
Entsagung (1991-93)
for flute, bass clarinet, prepared piano, percussion and interactive
4-channel sound environment
-
Wed, 19.3.1997
- Paris-Franconville, Centre Saint-Exupery (F)
- Ensemble Court-Circuit; Dir: Pierre-André Valade
- technique: Thierry Coduys (IRCAM)
- sound projection: Karlheinz Essl
Klang-Orakel (1997)
a computer-controlled improvisation environment for live-performers, electronics and computers
- Fri, 4.4.1997
- Vienna, Alte Schmiede (A)
- "Elektronischer Frühling"
- David Ender: gusla, endophon, shortwave receiver, turntable
- Helmut Neugebauer: reeds
- Elisabeth Flunger: skin, wood & brass
- Peter Panay: E-guitar & sound processing
- Karlheinz Essl: computer & live-elektronics
absence (1996)
for violin solo
-
Wed, 9.4.1997
- Valencia (E)
- Irvine Arditti
Déviation (1993)
for flute, bass clarinet, violin, cello, piano and percussion
- Thu, 24.4.1997
- Moskow (SU)
- 5th International Festival for Contemporary Music
- Tchaikovsky Conservatory - Rachmaninow Hall
- Ensemble 20. Jahrhundert; Dir: Peter Burwik
Amazing Maze (1996 ff.)
interactive realtime composition for sampled sound particles and live performer(s)
version for dancers & computer
- Fri, 25.4.1997
- Vienna, Alte Schmiede (A)
- "Elektronischer Frühling"
- Rose Breuss: choreography & dance
- Computer performance: Karlheinz Essl
Rudiments (1989/90)
spatial composition for 4 snare drums
- 7.5.1997
- Vienna (A),
- Opening of Music Information Center Austria
- Vienna Percussion; Dir: Simeon Pironkoff jun.
Close the Gap (1990)
for 3 tenor saxophones
- 24.5.1997
- Orth/Donau (A),
- Gedenkkonzert Karl Schiske
- Wiener Saxophonquartett
Lexikon-Sonate (1992 ff.)
interactive realtime composition for computer-controlled piano
premiere of the direct-access version
- Thu, 29.5.1997
- Wels (A)
- Presentation of SAMT
- Computer performance: Se-Lien Chuang
Realtime Composition
Zur Theorie und Praxis interaktiver algorithmischer Komposition. (Lecture)
Unter Bezugnahme auf folgende Werke:
- Lexikon-Sonate (1992 ff.) for computer-controlled piano
- Amazing Maze (1996-97) for sampled sound particles and optional live-performer(s)
- Thu, 5.6.1997, 10.15 (Old Castle, Studio II)
- Osnabrück (D)
- KlangArt: Congress on New Music Technology: "Musik im virtuellen Raum"
Amazing Maze (1996)
interactive realtime composition for sampled sound particles and live performer(s)
version for electric cello & computer
- Fri, 6.6.1997, 5.00 - 6.30
- University of Connecticut (USA)
- New Directions Cello Festival
- electric cello: Jeffrey S. Krieger
Lexikon-Sonate (1992 ff.)
interactive realtime composition for computer-controlled piano
direct-access version
- Fri, 13.6.1997
- Linz (A)
- Night of Jazz and Computer Music
- SAMT / Bruckner Conservatory, Linz (A)
- Computer performance: Se-Lien Chuang
Amazing Maze (1996 ff.)
8-channel sound installation version
-
Fri, 13.6.1997
- Linz (A)
- Night of Jazz and Computer Music
- SAMT / Bruckner Conservatory, Linz (A)
- Setup: Andreas Weixler
Déviation (1993)
for flute, bass clarinet, violin, cello, piano and percussion
- Sat, 14.6.1997
- Mönchengladbach (D)
- Festival "Ensemblia"
- Ensemble 2e2m; Dir: Paul Mefano
Lexikon-Sonate (1992 ff.)
interactive realtime composition for computer-controlled piano
- Wed, 25.6.1997
- Vienna (A)
- Vernissage "Kurt Ruprechter" / ITO
- conductors: Fritz Ruprechter / N.N.
- Computer control: Karlheinz Essl
Amazing Maze (1996 ff.)
interactive realtime composition for sampled sound particles
solo version (6.0)
- Wed, 25.6.1997
- Vienna (A)
- Vernissage "Kurt Ruprechter" / ITO
- computer performance: Karlheinz Essl
Amazing Maze (1996 ff.)
interactive realtime composition for sampled sound particles
solo version (5.0)
- Thu, 24.6.1997
- Bruxelles (BE)
- European Elektroacoustic Music Festival
- computer performance: Se-Lien Chuang
absence (1996)
for violin solo
- Thu, 3.7.1997
- Stift Lilienfeld, Laienbrüderdormitorium (A)
- Sommermusik-Akademie: portrait concert "Karlheinz Essl"
- Bettina Schmitt
Lexikon-Sonate (1992 ff.)
interactive realtime composition for computer-controlled piano
direct-access version
- Thu, 3.7.1997
- Stift Lilienfeld, Laienbrüderdormitorium (A)
- Sommermusik-Akademie: portrait concert "Karlheinz Essl"
- computer performance: Karlheinz Essl
Amazing Maze (1996 ff.)
interactive realtime composition for sampled sound particles
solo version (7.0) - premiere of this version
- Thu, 3.7.1997
- Stift Lilienfeld, Laienbrüderdormitorium (A)
- Sommermusik-Akademie: portrait concert "Karlheinz Essl"
- computer performance: Karlheinz Essl
Lexikon-Sonate online (1997)
realtime composition for computer-controlled piano
Internet installation
- 2.-5.8.1997
- Brasila (BR)
- IV Brazilian Symposium on Computer Music
- Universidade de Brasilia
Portrait concerts and sound installations of Karlheinz Essl
within the series Next Generation
Lexikon-Sonate (1992 ff.)
interactive sound installation for computer-controlled piano
- 19.7.-15.8.1997
- Salzburg Festival (A)
- Kleines Festspielhaus, Orpheus-Foyer
- Yamaha Disklavier
Amazing Maze (1996 ff.)
8-channel sound installation version
- 19.7.-10.8.1997
- Salzburg Festival (A)
- Mirabellgarten, Pflanzentunnel
...wird sichtbar am Horizont (1996)
for spatial distributed ensemble
- Wed, 6.8.1997 - premiere
- Salzburg Festival (A), Mozarteum
- Portrait Concert Karlheinz Essl #1
- Ensemble Modern (Frankfurt); Dir: Hans Zender
Entsagung (1991-93)
for flute, bass clarinet, prepared piano, percussion and interactive
4-channel sound environment
- Wed, 6.8.1997
- Salzburg Festival (A), Mozarteum
- Portrait Concert Karlheinz Essl #1
- Ensemble Modern (Frankfurt); Dir: Hans Zender
Cross the Border (1994/95)
for soloists (saxophon, double bass, percussion) und ensemble
- Thu, 7.8.1997, 20:00
- Salzburg Festival (A), Mozarteum
- Portrait Concert Karlheinz Essl #2
- Ensemble Klangforum Wien; Dir: Johannes Kalitzke
Déviation (1993)
for flute, bass clarinet, violin, cello, piano and percussion
- Thu, 7.8.1997, 20:00
- Salzburg Festival(A), Mozarteum
- Portrait Concert Karlheinz Essl #2
- Ensemble Klangforum Wien
- Ensemble Klangforum Wien; Dir: Johannes Kalitzke
O rosa bella (1981-97)
for chamber ensemble (fl, ob, cl - vl, vla, vlc)
- Thu, 7.8.1997, 20:00
- Salzburg Festival (A), Mozarteum
- Portrait Concert Karlheinz Essl #2
- Ensemble Klangforum Wien
Das Prinzip Wiederholung (Lecture & Demonstration)
Schnitt II - Kunstgespräch Mieger 1997
Interdisziplinäres Symposion mit Karlheinz Essl (Musik), Maria Fehriner-Waterhouse (Übersetzung), Christian Muhr (Philosophie), Margherita Spiluttini (Architekturphotographin), Zorka L. Weiss (Malerei), Johanes Zechner (Malerei).
- Interferences (1996/97) realtime composition for computer-controlled percussion sounds
- Lexikon-Sonate (1992 ff.) interactive realtime composition for computer-controlled piano
- Wed, 27.8.1997
- Mieger/Klagenfurt (A)
- SCHNITT II - KUNSTGESPRÄCHE MIEGER 1997
Interferences (1996/97) - premiere
realtime composition for computer-controlled percussion sounds
- Thu, 28.8.1997
- Mieger/Klagenfurt (A)
- SCHNITT II - KUNSTGESPRÄCHE MIEGER 1997
- computer performance: Karlheinz Essl
Lexikon-Sonate (1992 ff.)
interactive realtime composition for computer-controlled piano
- Thu, 28.8.1997
- Mieger/Klagenfurt (A)
- SCHNITT II - KUNSTGESPRÄCHE MIEGER 1997
- computer performance: Karlheinz Essl
Amazing Maze (1996 ff.)
interactive realtime composition for sampled sound particles and live performer(s)
version for double bass and computer
- Thu, 28.8.1997
- Mieger/Klagenfurt (A)
- SCHNITT II - KUNSTGESPRÄCHE MIEGER 1997
- double bass: Max Kircher
- computer: Karlheinz Essl
absence (1996)
for violin solo
- Sat, 30.8.1997, 20:00
- Schwaz, Kirche St. Martin (A)
- 5. Internationale Akademie für Neue Komposition
- Irvine Arditti
Lexikon-Sonate (1992 ff.)
interactive realtime composition for computer-controlled piano
- Sat, 6.9.1997, 18:00
- Berlin (D) - Podewil, Gr. Saal
- Softmoderne 3 - Festival der Netzliteratur
- Libraries of the Mind / Karlheinz Essl: presentation of the electronic Lexikon-Roman
O rosa bella (1981-97)
for chamber ensemble (fl, ob, cl - vl, vla, vlc)
- Sun, 7.9.1997
- Wiesbaden (D)
- Rheingau-Musik-Festival
- ensemble recherche (Freiburg)
Amazing Maze (1996 ff.)
a computer-controlled improvisation environment for live-performers, electronics, computers, spotlights, internet users and telephones
- Thu, 18.9.1997 --- 22:17 - 24:00 MET
- Vienna, Austrian Radio (A)
- KUNSTRADIO - RADIOKUNST: interactive live-broadcasting on Ö1 (92.0 MHz) and RealAudio
- David Ender: gusla, hurdy-gurdy, rebec, endophon, shortwaves
- Helmut Neugebauer: flute, saxophone & live-electronics
- Elisabeth Flunger: percussions
- Peter Panay: E-guitar & bouzouki
- Mary Oliver: violin, viola & voice
- Richard Barrett: sampler
- Karlheinz Essl: computer, computer-controlled piano, computer speech & CD-Players
- Walter Thornton: CRESTRON control interface
- Volker Christian: Internet programming (court. of Virtual Feedback)
- Karl Petermichl, Christian Sodl: sound engineering
absence (1996)
for violin solo
- Fri, 19.9.1997
- Vienna (A)
- Alte Schmiede: solo recital Mary Oliver / Richard Barrett
- Mary Oliver
MindShipMind (1996/97)
multimedia web installation, in collaboration with Vibeke Sorensen
- 22.-27.9.1997
- Chicago, IL (USA)
- ISEA 97
- ISEA 97 Exhibition Space: 847 W. Jackson Building
In' Offene! (1991)
for flute, clarinet, violin and cello
- Mon, 29.9.1997, 20:30
- Berlin (D) - Podewil, Gr. Saal
- Festival überGrenzen '97: Österreich - Berlin
- Ensemble "UnitedBerlin"
O rosa bella (1981-97)
for chamber ensemble (fl, ob, cl - vl, vla, vlc)
- Sat, 4.10.1997
- Brixen (I)
- "Musik und Kirche"
- ensemble recherche (Freiburg)
absence (1996)
for violin solo
- Fri, 5.10.1997
- Strasbourg (F)
- Musica Festival
- Irvine Arditti
Partikel-Bewegungen (1991 ff.)
version for organ solo - premiere of this version
-
Thu, 9.10.1997
- Mülheim an der Ruhr - Petrikirche (D)
- 2. Seminar Neuer Orgelmusik
- Roman Summereder: organ
Interferences (1996/97)
interactive realtime composition for computer-controlled percussion sound
- Thu, 14.10.1997
- Passau - Medienzentrum (D)
- Vernissage "Arnulf Rainer"
- computer performer: Karlheinz Essl
Lexikon-Sonate (1992 ff.)
interactive realtime composition for computer-controlled piano
- Thu, 14.10.1997
- Passau - Medienzentrum (D)
- Vernissage "Arnulf Rainer"
- computer performer: Karlheinz Essl
Amazing Maze (1996 ff.)
interactive realtime composition for sampled sound particles and live performer(s)
version for computer solo performance
- Thu, 14.10.1997
- Passau - Medienzentrum (D)
- Vernissage "Arnulf Rainer"
- computer performer: Karlheinz Essl
Amazing Maze (1996 ff.)
interactive realtime composition for sampled sound particles and live performer(s)
version for dancers & computer
- Fri, 17.10.1997
- Linz, Bruckner-Conservatory (A)
- In collaboration with SAMT
- Rose Breuss: choreography
- Karlheinz Essl: computer performance
Lexikon-Sonate (1992 ff.)
interactive realtime composition for computer-controlled piano
- Tue, 4.11.1997
- Graz (A)
- Hochschule für Musik und darstellende Kunst
- Institut für Elektronische Musik
- Presentation: Andreas Weixler
Amazing Maze (1996 ff.)
interactive realtime composition for sampled sound particles and live performer(s)
- Tue, 4.11.1997
- Graz (A)
- Hochschule für Musik und darstellende Kunst
- Institut für Elektronische Musik
- Presentation: Andreas Weixler
à trois - seul (1997)
for vl, vla, vcl - premiere
- 10.11.1997
- Vienna (A)
- Austrian National Library, Hobokensaal
- 25th Anniversary of the "Institute for Austrian Music Documentation"
- Orpheus Trio Wien
Rudiments (1989/90)
spatial composition for 4 snare drums
- 14.11.1997
- Linz, Austrian Radio (A)
- "Music and Architecture" symposion
- Vienna Percussion; Dir: Simeon Pironkoff jun.
Copenhagen Lectures
Composing in a Changing Society (Lecture)
- Mon, 17.11.1997, 13:00 - 16:00
- Copenhagen, Royal Academy of Music (DK)
- Class Ivar Frounberg
Realtime Composition (Workshop)
- Tue, 18.11.1997, 9:00 - 12:00
- Copenhagen, Royal Academy of Music (DK)
- Class Ivar Frounberg
The Concept of Structure Generators (Lecture & Workshop)
- Wed, 19.11.1997
- Copenhagen, University of Copenhagen, Music Department (DK)
- Class Søren M. Sørensen
Amazing Maze (1996 ff.)
interactive realtime composition for sampled sound particles and live performer(s)
version for e-guitar, percussion, electronics & computer
- Thu, 4.12.1997
- Vienna, Austrian Radio - Großer Sendesaal (A)
- KUNSTRADIO - RADIOKUNST: "Recycling th Future"
- Long Night of Radio-Art - live
- Seppo Gründler: e-guitar, electronics
- Josef Klammer: percussions
- Karlheinz Essl: computer performance
Interferences (1996/97)
interactive realtime composition for computer-controlled percussion sounds
- Thu, 4.12.1997
- Vienna, Austrian Radio - Großer Sendesaal (A)
- KUNSTRADIO - RADIOKUNST: "Recycling th Future"
- computer performance: Karlheinz Essl
Updated: 22 Dec 2012